NAB 2024: Allen & Heath Talks CQ系列数字音频混频器

Allen & Heath市场营销专家理查德·斯塔尔让观众近距离观察艾伦 & 希思的CQ系列数字音频混频器与他们的触摸屏和物理控制, automatic mic mixer, presets for conferences, garage bands, and more, and remote operation capabilities in this interview with Streaming Media's Shawn Lam from the Allen & Heath booth at NAB 2024.

NAB 2024:黑魔法设计，SMPTE 2110和IP视频

在NAB 2024的Blackmagic设计展位上接受采访, Blackmagic Design's Bob Caniglia and Streaming Media's Shawn Lam discuss how Blackmagic is enabling producers to convert 4K and HD signals to SMPTE 2110 so they can move content across IP networks, with their new open-source 2110 IP codec and new 10 gig port-equipped Blackmagic Design cameras that support it like the PYXIS 6K and the URSA Cine 12K.

NAB 2024: vMix会谈vMix 27和缩放集成

vMix 27的主要特性之一是Zoom集成, enabling remote streaming producers to bring in (theoretically) an unlimited number of remote guests, vMix Senior Systems Engineer Heath Barker reports in this interview with Streaming Media's Shawn Lam in the vMix booth at NAB. Barker还快速演示了该功能的工作原理.

NAB 2024: PTZOptics会谈蜂巢工作室和远程相机控制

PTZOptics技术总监Matthew Davis讨论Hive Studio, PTZOptics新的基于云的远程相机控制解决方案, 这是在NAB 2024上对流媒体的肖恩·林的采访.

What Is ATSC 3.0 and Is it Coming for Streaming?

Questions abound about ATSC 3.0, aka NextGen TV: Is it OTA? Is it OTT? Is it CTV? Can my TV play it? 它是带着新前倾的承诺来流媒体的吗, 互动消费者体验和可寻址广告? 它与OTT和FAST有什么重叠之处, 它能为观众提供什么他们现在无法从OTA电视上获得的东西? ATSC President Madeleine Noland, E.W. Scripps VP Strategy Kerry Oslund, Sinclair CIO Scott Ehrlich, and Dillon Media Ventures' Rob Dillon explore these questions and more in this clip from Streaming Media Connect 2024.

NAB 2024: Atomos Talks Ninja Phone

On the show floor at NAB 2024, Shawn Lam of Streaming Media and SLV Live interviews Atomos CEO Jeromy Young about the new Atomos Ninja Phone, 如何将iPhone 15 Pro或Pro Max变成1600像素, 10-bit, 2,000,000:1 contrast ratio, 460ppi, HDR OLED, ProRes监视器记录仪的任何专业HDMI相机.

体育流媒体如何超越广播和有线电视?

衡量体育流媒体成功与否的第一个标准是复制有线电视/广播电视的体验, but AWS' Julie Neenan Souza insists that sports streamers should be aiming higher when it comes to leveraging streaming's core strengths, 从互动性到投注到个性化再到实时电子商务. Meanwhile ViewLift's Chance Mason contends that the key to next-level sports streaming delivery is streaming infrastructure companies like AWS embracing their emerging role as D2C media companies and partnering with sports leagues and sports rights holders at that level. Souza, Mason, and Altman Solon's Matt del Percio discuss these and other emerging opportunities for sports streaming in this clip from Streaming Media Connect 2024.

品牌识别和多平台流媒体应用

在流媒体用户体验和应用程序设计中保持品牌标识和差异化有多重要, and how critical, or even possible or advisable, 它是为了在不同平台上保持一致的外观和感觉吗? 品牌在整个粉丝体验中是多么重要, 或者为与你的品牌相关的内容建立一个粉丝基础? YouTube TV's Esther Ahn, MagellanTV's James Lauzun, Crunchyroll的Tom Hurlbutt也加入了进来, 这是在流媒体连接2024上与Reality Software的Nadine Krefetz的讨论.

Globo如何处理大规模体育直播流媒体的延迟成本

当涉及到大规模实现流媒体技术时, high-stakes live sports, often decisions around managing latency are driven as much by cost concerns as network conditions, audience expectations, and the like. Globo Digital Products, Platform & Adtech Manager Jonas Ribeiro reveals the latency Globo delivers on typical sports streams at scale and what factors into those numbers in this discussion with Eyevinn Technology's Magnus Svensson at Streaming Media Connect 2024.

How CBS Sports Approaches Cloud vs. On-Prem Streaming Workflows

Most of the essential elements of streaming workflows and architecture are moving toward the cloud, but the fundamental question driving streaming workflow development should always be not how do we migrate this or that process to the cloud, 但怎样才能最好地服务于制作和观众, 根据CBS体育高级总监的说法, 先进生产技术科里·史密斯, who breaks down these questions in this discussion with Eyevinn Technology's Magnus Svensson from Streaming Media Connect 2024.

Can Data Normalization Fix FAST?

Arguably, the two biggest challenges in the FAST ecosystem are managing the ad experience and delivering ROI for the brands that support the platform. Experts, from Fremantle's Laura Florence to Fuse Media's Patrick Courtney to Media Cartographer Evan Shapiro, agree that standardizing the data they collect and delivering on the promise of programmatic advertising is the key to making it all work. 但这段来自2024年流媒体连接的视频显示，说起来容易做起来难.

沃尔玛收购Vizio和FAST的未来

What do Walmart's recent acquisition of Vizio and rumors of Amazon Prime absorbing Freevee tell us about the state of the FAST ecosystem? How can companies like Tubi and Fremantle optimize their FAST offerings in a shifting media landscape? Tubi's Sam Harowitz and Fremantle's Laura Florence offer their takes in this discussion with Media Cartographer Evan Shapiro at Streaming Media Connect 2024.

AWS, ViewLift, & 奥特曼·索伦谈论2024年的体育媒体状况

体育直播是媒体界最后一种预约观看方式, but meanwhile, chaos reigns in the realms of licensing and rights and the ability of streaming consumers to access the games they want to see. AWS Head of Sports Julie Neenan Souza, ViewLift VP Chance Mason, and Altman Solon Director Matt DelPercio discuss the current state of sports media in this clip from Streaming Media Connect 2024.

Is the AVC/H.264 Codec Finally Fading?

到2024年，AVC离过时有多近, with AV1 and other more efficient and increasingly well-established "emerging" codecs like VP9 and HEVC on the rise? Meta's Hassene Tmar, Netflix's Andrey Norkin, AMD's Sean Gardner, 和“帮助我流媒体”的蒂姆·西格林在2024年流媒体连接的这段视频中发表了看法.

在流媒体应用程序设计中给予用户控制权

对于流媒体用户和观众来说，能够自定义有多重要, personalize, 并管理他们使用流媒体应用程序的体验? 以及产品设计师如何促进这些类型的体验? YouTube TV's Esther Ahn, Crunchyroll's Tom Hurlbutt, and Magellan TV's James Lauzun offer their takes in this clip from Streaming Media Connect 2024.

2024年及以后，优质体育流媒体授权将如何发展

随着顶级体育流媒体版权的价格不断达到天文数字的水平, 以及ESPN/福克斯/华纳兄弟的大片带来的潜在颠覆. 合资企业(俗称“Spulu”)在2月份被嘲笑, what sports licensing will look like as 2024 rolls on and who will be able to afford it is anybody's guess. Will it play out differently in the U.S. and Europe? 随着成本转嫁给用户，体育迷们为什么不坚持使用有线电视呢? 看看ESHAP的埃文·夏皮罗等顶级分析师是怎么做的, Erickson's Paul Erickson, Dataxis' Ophelie Boucaud, and TVREV's Alan Wolk, 在这段来自2024年流媒体连接的视频中说道.

2024年如何设计流媒体应用和用户体验

2024年成为流媒体应用设计师和产品总监需要具备哪些条件? According to YouTube TV's Esther Ahn, Crunchyroll's Tom Hurlbutt, and Philo's Brandon Yap, embracing the evolution of that role means rolling with ongoing changes in the device ecosystem, viewer behavior and device preferences, 以及电视观看体验的现代化, 正如他们在2024年流媒体连接的这段视频中讨论的那样.

如何解决交互式流媒体的延迟挑战

交付成功的大规模互动直播最大的挑战是什么, 特别是实现所需的低延迟, and what technology solutions apply? Nanocosmos CEO Oliver Leitz, Help Me Stream's Tim Siglin, and Motoworlds' Darcy Lorincz identify real-world interactive streaming problems and how to address them and deliver high-quality user experiences from traditional streaming to the metaverse in this clip from Streaming Media Connect 2024.

Netflix、Meta和联合云如何选择新的编解码器，为什么

Migrating to new codecs is fraught with challenges and complications for companies with massive content libraries like Netflix and Meta, 或者像联合云这样的实时线性提供商. What drives change-of-codec decisions and what considerations and trade-offs complicate these decisions vis a vis legacy users and more? Netflix's Andrey Norkin, Meta's Hassene Tmar, United Cloud's Boban Kasalovic, and Help Me Stream's Tim Siglin discuss these issues and more in this clip from Streaming Media Connect.

超级捆绑包是订阅流媒体的未来吗?

用户流失是流媒体服务不可避免的现实, and much of the strategic thinking that goes into trying to make SVOD profitable focuses on how to minimize its impact, whether by offering more content, incorporating ad tiers, 或者进入各种捆绑场景. 那么2024年哪些是可行的，哪些是无效的? Five leading M & E analysts—ESHAP's Evan Shapiro, Erickson's Paul Erickson, Dataxis' Ophelie Boucaud, TVREV's Alan Wolk, and Hub's Jon Giegengack—discuss current strategies to ward off churn-pocalypse in this clip from Streaming Media Connect 2024.